AFI Concert and Press Conference Moved to Revolution Ft Lauderdale! 11-18-09

The A.F.I. concert originally scheduled for the Pompano Beach Amphitheater on Wednesday November 18 has moved venues to Revolution Live, 200 West Broward Boulevard in Ft. Lauderdale. Gallows also appears on the bill.

Tickets already purchased for the Pompano Beach show will be honored at Revolution Live. Additional General Admission tickets are still available for $26.50 in advance and $28.00 day of show. Tickets are on sale now at all TicketMaster Outlets and at the Revolution Live Box Office or charge-by-phone: Broward, (954) 523-3309; Miami-Dade, 305) 358-5885; Palm Beach, (561) 966-3309.

The Student Press Conference will also be held at Revolution. Students should meet at will call at Revolution.

Jason Castro Added

The interview with Jason Castro as been added to Loonatic Tv playlist, as well as on demand at the Rock Star Stories Player!

Say Anything Review of Self Titled

By: Stephanie Figueroa

The time has come for Indie, Pop, and Punk listeners alike to unite because this latest Say Anything release might just officially create a whole new era of composing music for this amiable group.

If the first thing that comes to mind when one mentions the name Say Anything are quirky, sarcastic, smart mouthed lyrics, alongside infectious instrumentals, then you have a pretty accurately formed definition of this one of a kind band. If the second thing that comes to mind is the name Max Bemis, then you’re probably well informed of the musical impact of this symbolic frontman. It’s rare to find voices or written music that sounds even remotely similar to Max Bemis or Say Anything. It would be no surprise if his heartfelt and contemptuous lyrics have taken a hold of the lyric lover in everyone. Yes, he certainly has that power. Since formed back in 2000, Say Anything has transformed miraculously. After overcoming several public meltdowns and being hospitalized for bipolar disorder, Bemis never failed in feeding fans exactly what they craved.

Two official releases later, Say Anythings third self-titled album was released on Nov 3. As with any of their work, it is clear that Bemis used this album as a form of getting what bothers him most off of his chest. What separates this album from the rest however, is the obvious sense of self-assurance, rather than continuous self-loathing. In fact, as Bemis told AP magazine, “This isn’t pacifist music, necessarily. The anger is more directed at things you can change and do in your life, instead of hating people because they are a certain way. These people will always be like that. Let’s do something to actually change your own life, or lives around you.”

But of course, a Say Anything album wouldn’t be completed without some kind of angry number. That is precisely why the single “Hate Everyone” seems like it should have been placed in the bands previous, more raging albums. Still, one can’t help but find Max’s juvenile rant at how much he just simply hates society as heartwarming.

Moving on to one of the albums incredibly raved about melodies,  “Eloise” begins with a simple acoustic guitar progressing into slow pounding drum beats as Bemis starts to sing. Of course, only Say Anything would start a heartbreak song with the lines “Laid out, puking in the back of a fancy bar.” Nonetheless, this piece delivers Bemis’s infamous constant passionate wails we all know and love all draped over a delicate chorus.

Finalizing the album, “Ahh…Men” is as mushy and affectionate as Say Anything can get. During an interval in which most bands nowadays would typically choose to insert a breakdown, the song has a notable shift into a quieter, more melodic acoustic strumming followed by Max’s romantic plead to “lie with you in your grave.”

Genres seem to pour out of every tune, line, and pluck of an acoustic guitar here and there as tracks unfold. If anyone ever said blending genres was a mistake, they’re  the ones mistaken. Say Anything can be held accountable for much musical evolvement yet still maintain their same foundation that listeners first fell in love with. Max’s newfound yet still somewhat hazy outlook on life is evident throughout the album. It’s thoughtful and unpredictable: the definition of Say Anything. Certainly, the entire album gives off that sparkle true fans know is exclusive to Say Anything.

Ghostland Observatory Interview

By Brittany Reeber University of Texas Austin

The Monday after Austin City Limits Music Festival was a day of recovery from a weekend with little sleep and lots of noise. I had my doubts about the interview scheduled with Ghostland Observatory for that Monday night. If I was dead tired, I could only imagine how the Austin duo felt after two days of shows, blowing up both Zilker Park at the ACL Fest Saturday night and then downtown at Stubbs’s BBQ the next day. But sure enough, Thomas Ross Turner, exactly one half of the spacey ensemble and master of multi-tasking (managing synthesizer, keyboard, drums, and backing vocals), showed up on my friend’s front porch around ten o’clock.

This weekend has been crazy for you!

-Yeah a pretty intense weekend, a lot of preparation.

How did you feel about your show at ACL?

-That was really good, really large crowd, and everything went really well. The crowd response was really good and we had a good time up there.

Do you prefer playing a festival or a club show?

-They’re all pretty surprising because say you have your mind set on how a certain show is gonna be or a certain city…in the beginning when we were touring, it’d be like ‘Oh this is gonna be the best ever… it’s this city or its this festival,’ and then you’re kind of let down. Or sometimes it’s the opposite, you go in to some town you’ve never been to before and you’re like ‘Oh I wonder how this is gonna go,’ and it end up being insane. So you never know what you’re gonna get, they can both be fun.

Have you always had the whole light show?

-No, because in the beginning, like right after the Paparazzi Lightening record, we’d go on tour and play a show in Los Angeles for like ten people. After we got home, I was like, ‘yeah this may not work, we may have to think of something else.’ Because you know we’d go up to Seattle and there’d be like eight or nine people there. We played some coffee shop in Bellingham, Washington and people were trying to study and we were trying to rock out. And then we’d have to drive all the way home from Bellingham and have to think about that. Like, ‘okay we just did a string of shows that maybe equaled up to fifty people total and things are not looking to good.’ We did a lot of shows like that in the beginning but we just kept going and eventually it worked.

How did you find the motivation? That seems pretty deterring.

-Well we’d come back to Austin and get rejuvenated. We’d play a crazy show at Emo’s or something and there’d be a thousand sweaty, hot people and a lot of energy. It would be so fun and we’d be like ‘Oh alright let’s try it again.’ We’d go back out and more people would be at the shows and it just started to grow like that.

It all seems to very be connected, the music and the lasers, do you guys work it out a lot beforehand?

-Yeah I mean that’s part of our partnership, being together for three years. It’s like a whole unit now: the sound, the lights, the performance, and the lasers. It’s all the show, the whole thing, so everything works together. I guess it’s sort of choreographed in a way to where it’s like nothing should be out of place.

Do you feel like it really enhances everything?

-I think so…with the lighting and the lasers and the different feelings and climaxes and parts of the set. I think it enhances everything because not only are you hearing it and feeling it, you’re seeing things happen. If there’s an exciting point in the set and the lights are going nuts, you see the crowd reacting and it helps.

Your whole setup on stage, you’ve got your keyboards and everything, what’s going on over there? It just looks like you’re doing so much all at once!

-Yeah I’ve got my synthesizers and my sequencer and my mixer and the drums. I’ve kind of got tunnel vision, I don’t really look out too much to the crowd cuz I try to make sure everything keeps moving along and everything is right. I get to groove out back there, but I can’t move around. That’s why I sport the cape, so I can just be back in my little control station.

I read online that your wife made your cape.

-Yeah and she made me a new one for ACL fest and it had lights on it so that’s pretty cool.

That’s a big deal! You never change from the other cape, right?

-I had the original and I wear the original still, and then she made me another one for ACL fest two years ago, but I threw that one in to the crowd.

Was she mad?

-No, she was alright with it, but she made this one and she was like, ‘no throwing this one.’ She spent a lot of time on this last one so I wasn’t gonna do it.

What’s it made out of?

-Hmm, I don’t know materials and things, but it’s some kind of material and she hand sewed it. Then got these lights and got this engineer to help her get all the lights connected to this thing in the back that has a switch and it runs off batteries.

Do you think you’re gonna catch on fire?

-No I don’t think its got enough juice to light me on fire, but it does get hot in there.

Aaron is your other half and he’s out front singing, do you ever get jealous and want to stretch around ?

-He does what he does and I do what I do. He’s more like live and loose and entertaining and I’m just like: ‘Okay, we need to be here at this time. Alright, what are the lights doing? Okay perfect.’ So he’s perfect for what he does and I kind of stay back in my little area.

The sound that Ghostland Observatory has is really unique, in Austin and in general. How did you guys come to find that sound together? Did you have something in mind or did it just happen?

-I think what we were trying to do when we first started creating was just push it out there, you know, be different. We really wanted to make music that was either loved or hated and not just kind of middle of the road. Same thing with our live show, we either want people to be like, ‘oh yeah I love those guys,’ or they show up and are like, ‘I can’t stand them, I would never go to see that ever again.’ It’s either or, you know, and that’s just all we try to do.

Do you believe in life on other planets?

-I’m sure, I mean, you can’t even chart how large the universe is, right? It’s like ever expanding, so how would you even know? You’d be taking a guess either way. There’s no telling what’s out there.

Well because your music is so spacey, how do you think aliens would receive your show if they saw it?

- Haha, hopefully they’d want to groove out. Especially the light set up we had at ACL fest; it was designed to look like a mother ship.

That’s how I felt when I saw it! I could see the show all the way from the other side of the festival.

-Yeah so hopefully they’d be like ‘these guys know what’s going on.’

What are you plans for the future? What do you hope to happen with the band?

-Just first get through these forty shows from now until January, take a little breather, and then start creating again and try to push it even further.

Dashboard-New Found Glory CANCELLED TOUR

CANCELLED!!!

Due to family circumstances Dashboard Confessional has cancelled their tour with New Found Glory, Never Shout Never and Meg and Dia.

Our student press conferences with the above bands has been cancelled!

Still on:

November 18th with AFI at the Pompano Beach Civic Center at 4PM.

December 6th All American Rejects and Taking Back Sunday at The Fillmore Miami Beach 4pm.

email us info@therockstarstories.com for your invitation to both of these.

THANKS AND SEE YOU THERE on the 18th!

Win a Weezer Snuggie!

Enter to win a Weezer Snuggie and a copy of their new release Raditude.

Send us an email  info@therockstarstories.com and you will be entered to win. Ends 11/18!

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